{"id":2275,"date":"2023-07-09T18:26:28","date_gmt":"2023-07-09T16:26:28","guid":{"rendered":"https:\/\/michael-korstick.com\/diskographie\/ginastera-piano-work\/"},"modified":"2024-05-27T19:17:03","modified_gmt":"2024-05-27T17:17:03","slug":"ginastera-piano-work","status":"publish","type":"diskographie","link":"https:\/\/michael-korstick.com\/en\/diskographie\/ginastera-piano-work\/","title":{"rendered":"Ginastera piano work"},"content":{"rendered":"

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DISCOGRAPHY MICHAEL KORSTICK<\/h1>\n\t\t\t

\n\t\t\t\tGinastera\n\t\t\t<\/h1>\n\t\t[\/vc_column][\/vc_row][vc_row css=”.vc_custom_1695895075370{padding-bottom: 100px !important;}”][vc_column width=”1\/3″][vc_single_image image=”1081″ img_size=”full”][\/vc_column][vc_column width=”1\/3″][vc_column_text]The piano work<\/strong>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text]”There is probably no better recording of (almost) all of Ginastera’s piano works than this newly released anthology, recorded for Deutschlandfunk in Cologne in the fall of 2015. Even in the three ‘Danzas argentinas’ at the very beginning, Korstick can not only keep up with Marta Argerich’s reference version (once released live from the Amsterdam Concergebouw on EMI in 1978), but surpasses it in the above-mentioned fast frame dances in tonal plasticity (not only the better recording technique) and rhythmic aggressiveness, whereby he matches the playing time of the Argentinian almost to the second. The central lyrical-cantabile episode of the ‘Danza de la moza donoso’, initially sung with restraint by Bella Martha, but then surprisingly more and more fervently, Korstick fans out into a three-part invention, taking the whole thing somewhat more slowly, whose depth of expression is almost uplifting due to the increasing broadening of the sound and, after the climax, reverberates even more calmly than in Argerich’s work in Korstick’s quieter contemplation, before he then gives the barbaric ‘Allegro’ of the ‘bird-free cowboy’.”
\nklassik.com<\/em><\/p>\n

“Korstick’s familiar attributes of exemplary musicianship, sharp attacks and sensitive phrasing are apparent. There are only a handful of modern pianists who come close to him in these respects, and fewer still who can immediately identify with the music the way he does.”
\nartmusiclounge.com<\/em><\/p>\n

“Michael Korstick’s musicality, added to his lyrical sensitivity and a great sense of rhythm, allows him to perform with \u00e9clat as well this multitude of small pieces as the two Sonates<\/i> plus cons\u00e9quentes. Son jeu cisel\u00e9 dessine les moindres d\u00e9tails de l’\u00e9nergie rugueuse qui emporte les tr\u00e9pidants mouvements ext\u00e9rieurs de la Premi\u00e8re Sonate<\/i> (1952), nettement annonciatrice du “n\u00e9o-expressionnisme” \u00e0 venir. La finesse de son toucher illumine les puissantes irisations du “Presto misterioso”, troublant deuxi\u00e8me mouvement en guise de scherzo nocturne qui pr\u00e9c\u00e8de la limpidit\u00e9 tendue du troisi\u00e8me mouvement lent. Ses m\u00eames qualit\u00e9s de jeu d\u00e9fendent la violente noirceur de l’unique mouvement de la Troisi\u00e8me Sonate<\/i>, \u00e9crite pour une ardente fid\u00e8le, la pianiste Barbara Nissman<\/a>. Travers\u00e9s de chocs harmoniques, les rythmes obsessionnels peuvent remettre en m\u00e9moire les influences initiales de Bart\u00f3k et de Stravinski mais le souffle interpr\u00e9tatif du jeu de Korstick conviendrait \u00e0 certaines des Etudes<\/i> de Ligeti auxquelles le piano de Ginastera peut, par moments, faire fugitivement penser.”
\nconcerto.net<\/em>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1686576459228{padding-top: 50px !important;padding-bottom: 100px !important;background-color: #ededed !important;}”][vc_column width=”1\/3″][vc_empty_space][\/vc_column][vc_column width=”1\/3″][vc_column_text]<\/p>\n

Listen to or order CD<\/strong><\/p>\n

[\/vc_column_text][vc_empty_space]LINK ZU JPC<\/a>[vc_empty_space]LINK ZU AMAZON<\/a>[vc_empty_space]LINK ZU SPOTIFY<\/a>[\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1695895070963{margin-bottom: 70px !important;padding-top: 0px !important;}”][vc_column][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1695895075370{padding-bottom: 100px !important;}”][vc_column width=”1\/3″][vc_single_image image=”1081″ img_size=”full”][\/vc_column][vc_column width=”1\/3″][vc_column_text]The piano work[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text]”There is probably no better recording of (almost) all of Ginastera’s piano works than this newly released anthology, recorded for Deutschlandfunk in Cologne in the fall of 2015. Even in the three ‘Danzas argentinas’ at the very beginning, Korstick can […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"class_list":["post-2275","diskographie","type-diskographie","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/michael-korstick.com\/en\/wp-json\/wp\/v2\/diskographie\/2275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michael-korstick.com\/en\/wp-json\/wp\/v2\/diskographie"}],"about":[{"href":"https:\/\/michael-korstick.com\/en\/wp-json\/wp\/v2\/types\/diskographie"}],"wp:attachment":[{"href":"https:\/\/michael-korstick.com\/en\/wp-json\/wp\/v2\/media?parent=2275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}